Born in Havana, she began her art studies in folk dance and popular dance workshops held at the Casa de Cultura in Centro Habana. At the age of 7, she entered the vocational classical ballet workshops taught at the "Fernando Alonso" National Ballet School. At the same school, she completed her elementary level and intermediate level ballet studies. In her student years she performed ballets such as Últimos días, by Laura Rodríguez and Paquita, Swan Lake, Two Swans and Pas de six. In 2015 she became part of the cast of the National Ballet of Cuba, under the direction of Alicia Alonso. She participated in national and international tours. During that time, she performed ballets such as Alicia Alonso's versions of La fille mal gardée, Giselle, Don Quixote, Swan Lake, Nutcracker, Sleeping Beauty Suite. She also The Magic Flute, by Alicia Alonso; Paquita (Grand Pas), by Marius Petipa; Flower Festival in Genzano, by August Bournonville; Les Sylphides, by Mijaíl Fokine; Theme and Variations, by George Balanchine; Dionea, by Gustavo Herrera; Seventh Symphony, by Uwe Scholz; Le papillon, by Peter Quantz; El poema del fuego, by Alberto Méndez and the opera Dido and Aeneas, with choreography by Alicia Alonso. She was a solo dancer in the ballets Tiempo de danzón, by Eduardo Blanco; Prospera, by Cathy Martson and Unto the End We Meet, by Kyle Abraham. During her years at the Cuban National Ballet, she was able to work with teachers such as Aurora Bosch, Ileana Farrés, Marina Villanueva, Lázaro Carreño, and Svetlana Ballester. Since January 2022 she is a dancer with Acosta Danza. In Carlos Acosta's company, she has danced pieces such as De punta a cabo, by Alexis Fernández (Maca); Satori, by Raúl Reinoso; Paysage, soudain, la nuit, by Pontus Lidberg; Two Dying Swans, by Carlos Acosta and Yaday Ponce. She participated in the World Ballet Day 2022. She is currently studying for a degree in Dance at the University of the Arts of Cuba.
