Patricia

She was born in the Artemisa province and began her classical ballet studies at the Vocational School of Arts Cuba-Canada. She continued his training at the Fernando Alonso National Ballet School. During those years she obtained, among other recognitions, the Female Bronze Medal, in the modality pas de deux in the XIV International Competition for Ballet Students held in Havana in 2017. That same year she participated in a summer course in Utah, U.S. In 2018 she graduated Suma Cumme Laude as a dancer and ballet teacher and joined the cast of the Ballet Nacional de Cuba, under the general direction of Alicia Alonso. In this company she was part of the cast of titles of the historical repertoire such as Giselle, Swan Lake and Sleeping Beauty Suite, in Alicia Alonso's versions. Torres also danced Prólogo para una tragedia, choreography by Brian MacDonald; Cinderella, by Pedro Consuegra; The magic flute, by Alicia Alonso; Prospera, by Cathy Marston; Tierra y luna, by María Rovira and La forma del rojo, by Ely Regina Hernández. Since January 2019 she starts working with Acosta Danza. She has interpreted Two Dying Swans, recreation from the original by Michel Fokine; Faun, by Sidi Larbi Cherkaoui; Alrededor no hay nada and Imponderable, by Goyo Montero; Twelve, by Jorge Crecis; Rooster, by Christopher Bruce; Paysage, soudain, la nuit, by Pontus Lidberg; Majísimo, by Jorge García and Don Quixote (scenes), in the version by Carlos Acosta; Hybrid, by Norge Cedeño; Satori, by Raúl Reinoso; Portal, by Juanjo Arqués; De punta a cabo, by Alexis Fernández (Maca); Tocororo Suite, by Carlos Acosta and Performance, by Micaela Taylor.