Amisaday

She was born in Santa Clara. At the age of five she began rhythmic gymnastics practices at the José Antonio Hechevarría sports school in her province. She studied Spanish dance and in 2011 she enrolled at the Olga Alonso Elementary School of Art. During those years she participated in the Ernestina Quintana dance competitions, in which she obtained the first performance awards in 2013 and 2014 with the solo Consecration, dedicated to Pina Baush. She was the best graduate of her academy from the 2012 and 2016 courses. In 2017 she began studying at the Acosta Danza Academy, directed by Carlos Acosta. As a student she participated in performances by the academy and the Acosta Danza company. Amisaday, was part of the cast of pieces such as Tocororo Suite, Don Quixote Suite and Carmen, by Carlos Acosta; Majísmo, by Jorge García; Around there is Nothing, by Goyo Montero; Belles-Lettres, by Justin Peck; End of Time, by Ben Stevenson and Siervo, by Héctor J. Rodríguez. She has created the choreographies Adiós, felicidad and Orate, the latter with Brandy Martínez. In January 2020 she was selected to participate in the awards gala of the 48th edition of the Grand Prix de Lausanne, as part of the Choreographic Project directed by the artist Mauro Bigonzetti. Amisaday was an interpreter of Meraki, solo created by Verónica Caballero, which obtained second place in choreography and performance award at the First Choreographic Contest organized by the academy in 2021. She is part of the first class of dancers graduated from the Acosta Danza Academy. As part of the company has performed the pieces Around There is Nothing (Alrededor no hay nada), by Goyo Montero; Twelve, by Jorge Crecis; Satori, by Raúl Reinoso and Paysage, soudain, la nuit, by Pontus Lidberg; Impronta, by María Rovira; Hybrid, by Norge Cedeño and De punta a cabo, in a version based on the original by Alexis Fernández (Maca). In 2022 he was part of the Acosta Danza tour of Spanish cities.