Brian

He was born in the province of Matanzas. In 2012 Brian began her dance studies at the “Alfonso Pérez Isaac” Vocational Art School. In 2017 he started the middle level at the Acosta Danza Academy, integrating the first group of students in this teaching center. He performed pieces such as the “Waltz of the Hours” and the masculine variation of the pas de deux from the Coppelia ballet; the Pas de trois from Swan Lake; Majísimo, by Jorge García; A Buenos Aires, by Gustavo Mollajolli; Belles Lettres, by Justin Peck; Waiting to kill, by Aymara Vila. Tocororo Suite, Don Quixote Suite and Carmen, by Carlos Acosta, the last two pieces together with the Acosta Danza company. Yo, tú, él, ella, by Ely Regina; End of Time, by Ben Stevenson; In April 2019, he participated in the public performance together with the Acosta Danza Company at the inauguration of the Línea Street Cultural Corridor, as part of the XIII Biennial of Contemporary Arts of Havana. He was recognized for participating as an interpreter of the solo Off, by Amisaday Naara, in the First Choreographic Contest of the Acosta Danza Academy in 2021. He graduated in 2022. As part of the cast of Acosta Danza, Brian Ernesto has performed the pieces Around There is Nothing (Alrededor no hay nada), by Goyo Montero; Twelve, by Jorge Crecis; Satori, by Raúl Reinoso and Paysage, soudain, la nuit, by Pontus Lidberg. He has also danced Hybrid, by Norge Cedeño; End of Time, by Ben Stevenson; De punta a cabo, in a version based on the original by Alexis Fernández (Maca) and Two Dying Swans, by Carlos Acosta and Yaday Ponce, based on the original by Michel Fokine.